SWG Kunstlexikon
MARLENE DUMAS
KUNSTWERKE MARLENE DUMAS
Marlene Dumas | Rejects | TateShots | Tate Modern | YouTube | https://www.tate.org.uk/visit/tate-modern | In 1994 Marlene Dumas began „Rejects“, a selection of portraits previously rejected from other series of her work. The artist talks about the works in this episode of TateShots. The collection of anonymous and well-known faces has now evolved into its own stand-alone piece which the artist herself is constantly changing and reconstructing. It is the first artwork visitors will encounter in her exhibition „The Image as Burden“ at Tate Modern.
Marlene Dumas | Great Men | TateShots | Tate Modern | YouTube | https://www.tate.org.uk/visit/tate-modern | In our second film with Marlene Dumas we spotlight her ‘Great Men’ series, a group of portraits made in response to Russia’s anti-gay legislation. Dumas herself has been heavily influenced by gay artists and writers throughout her career. Here she talks about capturing the essence and personality of each subject through a process of drafting and re-drawing. Dumas hopes this iteration of the series, although conservative in its presentation, pulls the audience into each individual portrait’s story.
VIDEO | FILM MARLENE DUMAS
Marlene Dumas | About Her Work and the Show at Fondation Beyeler | Fondation Beyeler | https://www.fondationbeyeler.ch/ | 2015 | YouTube
Marlene Dumas in her studio | DocsOnline | Scene taken from the documentary Miss Interpreted by Rudolf Evenhuis & Joost Verhey. If you’re interested in the full high resolution version, please visit: http://www.docsonline.tv/documentary/26 If unavailable in your territory, or if you are interested in other license requests (feature movie, television, documentary, commercial…), please contact MM Filmproducties: mmprod@nbf.nl Story Born in Cape Town South Africa, Marlene Dumas is one of the best-known contemporary artists in the world. In her paintings, usually life-sized, she depicts human figures that wrestle with emotions. The relation between art and female beauty, art and pornography, female models and models of art, all have been a constant theme for Marlene Dumas. The documentary film ‚Miss Interpreted‘ follows the artist’s activities for a period of six months while she prepares for an exhibition, thus giving us intimate insights into her work and ideas | YouTube
Marlene Dumas | The Image as Burden | ARTube | In this video we see Marlene Dumas preparing for the retrospective exhibition Marlene Dumas – The Image as Burden at Stedelijk Museum Amsterdam. With almost two hundred drawings and paintings from private and museum collections throughout the world, Marlene Dumas – The Image as Burden is the first major solo exhibition of Dumas in the Netherlands in 20 years. It is the most comprehensive retrospective survey of her work in Europe to date and presents a compelling overview of her oeuvre from the late 1970s to the present. In addition to her most important and iconic works, the exhibition also presents lesser-known paintings and drawings, including many works never before seen in the Netherlands, and a selection of her most recent paintings. The title of the exhibition is derived from the work The Image as Burden (1993), which refers to the conflict between the painterly gesture and the illusion of the painted image. The Stedelijk presentation features a number of exclusive highlights, such as a gallery devoted to drawings that have come straight from her studio, which have rarely – if ever – been on public view, and the 100-piece series Models from the collection of the Van Abbemuseum. The survey at the Stedelijk also places greater emphasis on the works produced between 1976 and 1982, when Dumas’s career in Amsterdam began. After many years, the key work in her oeuvre, Love vs Death (1980), which opens the exhibition, is once again on display. Also included are a selection of Dumas’s most recent paintings, such as The Widow and Nuclear Family, both from 2013, and a number of watercolor drawings from the series Great Men (2014), the remainder of which is currently on view at Manifesta in St. Petersburg. The exhibition closely examines the key themes and motifs that Dumas has developed throughout her artistic career. Special attention is devoted to the works on paper that Dumas produced in the early years after her arrival in the Netherlands, when she also exhibited her work for the first time at the Stedelijk Museum and Museum Fodor (1978-81). Themes such as love, death and longing, and the use of texts and images found in the mass media – which are also explored in her late paintings – are evident in these early works, too | About Marlene Dumas | Marlene Dumas is considered one of the most significant and influential painters working today. With her work, she gives new content to the meaning that painting can still have today, in an era dominated by visual culture. Her intense, emotionally charged paintings and drawings address existentialist themes and often reference art historical motifs and current political issues. Dumas often finds inspiration in newspaper and magazine images from her immense visual archive. The artist believes that the endless stream of photographic images that bombards us every day influences how we see each other and the world around us. Dumas addresses this onslaught by revealing the psychological, social, and political aspects of these images. Her drawings and paintings have an enormous directness and expressiveness, which the artist couples with a certain analytical distance. Dumas does not shy away from controversial topics. In both her visual work and her writings, Dumas reflects on contemporary painting and what it means to be an artist. Marlene Dumas was born in 1953 in Cape Town, South Africa. She came to the Netherlands in the ‘70s to study at Ateliers ’63 in Haarlem. On completing her study, Dumas settled in Amsterdam, where she still lives and works. In recent years, Dumas has held important exhibitions in the United States (New York, Houston and Los Angeles), South Africa, Germany and Japan, and elsewhere. Her work is represented in the collections of numerous distinguished museums and private collectors throughout the world. Dumas is the recipient of many prestigious art awards, the most recent being the Johannes Vermeer Prize (2012) |
Art direction Sandra Parry and Rudolf Evenhuis | Camera Martin Mulder and Rudolf Evenhuis | Editing Caroline Baan | Special Thanks to Marlene Dumas, Leontine Coelewij, Rixt Hulshoff Pol | YouTube
BIOGRAFIE MARLENE DUMAS
GEBURTSJAHR | 1953 | GEBURTSORT | Kapstadt
AUSBILDUNG MARLENE DUMAS
Studium der visuelle Kunst an der Universität Kapstadt mit dem Abschluss Bachelor of Arts | 1976
Kunststudium im Ateliers ’63 in Haarlem
1979 – 1980 Psychologiestudium an der Universität Amsterdam
AUSZEICHNUNGEN MARLENE DUMAS
2017 Hans Theo Richter-Preis | Dresden
2011 Rolf-Schock-Preis
2007 Kunstpreis der Landeshauptstadt Düsseldorf
1998 Coutts Contemporary Art Foundation Award | mit Stan Douglas und Edward Ruscha
SAMMLUNGEN MARLENE DUMAS
Albertina Wien
Centre Pompidou | Paris
Gemeentemuseum Den Haag
Fondation Beyeler | Basel
The Menil Collection | Houston | Texas
Museum of Contemporary Art | Tokyo
Museum für Moderne Kunst Frankfurt am Main | MMK
Museum of Modern Art | MoMA | New York
Stedelijk Museum | Amsterdam
Tate Modern | London
AUSSTELLUNGEN MARLENE DUMAS
AUSWAHL
2017 National Portrait Gallery | London
2014 – 2015 Marlene Dumas. The Image As Burden | Stedelijk Museum, Amsterdam | Tate Modern London | Fondation Beyeler Basel
2011 Marlene Dumas: Coming and Going | Moderna Museet | Stockholm
2010 – 2011 Tronies. Marlene Dumas und die alten Meister | Haus der Kunst München
2008 Measuring your Own Grave | Museum of Contemporary Art, Los Angeles | The Museum of Modern Art New York | The Menil Collection Houston Texas
2007 Broken White | Museum of Contemporary Art Tokyo | Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) Marugame Japan
2003 Time and Again | Art Institute of Chicago | USA
1996 Marlene Dumas | Tate Gallery London
WERKBESCHREIBUNG MARLENE DUMAS
SCHWERPUNKTE / MEDIEN
Gemälde | Collagen | Zeichnungen | Installationen | Skulpturen
STIL
figurativ
THEMEN/MOTIVE/WERKE
Menschenbilder | Konflikt zwischen Schwarz und Weiß | Marlene Dumas setzt sich stark mit politisch relevanten Themen auseinander
DEFINITION | BESCHREIBUNG | MERKMALE
Werke entstehen auf Basis von fotografischen Vorlagen, die von Marlene Dumas aufgenommen oder in Medien entdeckt werden
STICHWORTE MARLENE DUMAS
ZITATE MARLENE DUMAS
„Malerei soll spürbar sein, sie soll lebendig werden: Mich interessieren die Gefühle der Menschen.“ | Marlene Dumas
TEXT / BIBLIOGRAPHIE MARLENE DUMAS
LINKS MARLENE DUMAS
MARLENE DUMAS
KUNSTWERKE MARLENE DUMAS
Marlene Dumas | Rejects | TateShots | Tate Modern | YouTube | https://www.tate.org.uk/visit/tate-modern | In 1994 Marlene Dumas began „Rejects“, a selection of portraits previously rejected from other series of her work. The artist talks about the works in this episode of TateShots. The collection of anonymous and well-known faces has now evolved into its own stand-alone piece which the artist herself is constantly changing and reconstructing. It is the first artwork visitors will encounter in her exhibition „The Image as Burden“ at Tate Modern.
Marlene Dumas | Great Men | TateShots | Tate Modern | YouTube | https://www.tate.org.uk/visit/tate-modern | In our second film with Marlene Dumas we spotlight her ‘Great Men’ series, a group of portraits made in response to Russia’s anti-gay legislation. Dumas herself has been heavily influenced by gay artists and writers throughout her career. Here she talks about capturing the essence and personality of each subject through a process of drafting and re-drawing. Dumas hopes this iteration of the series, although conservative in its presentation, pulls the audience into each individual portrait’s story.
VIDEO | FILM MARLENE DUMAS
Marlene Dumas | About Her Work and the Show at Fondation Beyeler | Fondation Beyeler | https://www.fondationbeyeler.ch/ | 2015 | YouTube
Marlene Dumas in her studio | DocsOnline | Scene taken from the documentary Miss Interpreted by Rudolf Evenhuis & Joost Verhey. If you’re interested in the full high resolution version, please visit: http://www.docsonline.tv/documentary/26 If unavailable in your territory, or if you are interested in other license requests (feature movie, television, documentary, commercial…), please contact MM Filmproducties: mmprod@nbf.nl Story Born in Cape Town South Africa, Marlene Dumas is one of the best-known contemporary artists in the world. In her paintings, usually life-sized, she depicts human figures that wrestle with emotions. The relation between art and female beauty, art and pornography, female models and models of art, all have been a constant theme for Marlene Dumas. The documentary film ‚Miss Interpreted‘ follows the artist’s activities for a period of six months while she prepares for an exhibition, thus giving us intimate insights into her work and ideas | YouTube
Marlene Dumas | The Image as Burden | ARTube | In this video we see Marlene Dumas preparing for the retrospective exhibition Marlene Dumas – The Image as Burden at Stedelijk Museum Amsterdam. With almost two hundred drawings and paintings from private and museum collections throughout the world, Marlene Dumas – The Image as Burden is the first major solo exhibition of Dumas in the Netherlands in 20 years. It is the most comprehensive retrospective survey of her work in Europe to date and presents a compelling overview of her oeuvre from the late 1970s to the present. In addition to her most important and iconic works, the exhibition also presents lesser-known paintings and drawings, including many works never before seen in the Netherlands, and a selection of her most recent paintings. The title of the exhibition is derived from the work The Image as Burden (1993), which refers to the conflict between the painterly gesture and the illusion of the painted image. The Stedelijk presentation features a number of exclusive highlights, such as a gallery devoted to drawings that have come straight from her studio, which have rarely – if ever – been on public view, and the 100-piece series Models from the collection of the Van Abbemuseum. The survey at the Stedelijk also places greater emphasis on the works produced between 1976 and 1982, when Dumas’s career in Amsterdam began. After many years, the key work in her oeuvre, Love vs Death (1980), which opens the exhibition, is once again on display. Also included are a selection of Dumas’s most recent paintings, such as The Widow and Nuclear Family, both from 2013, and a number of watercolor drawings from the series Great Men (2014), the remainder of which is currently on view at Manifesta in St. Petersburg. The exhibition closely examines the key themes and motifs that Dumas has developed throughout her artistic career. Special attention is devoted to the works on paper that Dumas produced in the early years after her arrival in the Netherlands, when she also exhibited her work for the first time at the Stedelijk Museum and Museum Fodor (1978-81). Themes such as love, death and longing, and the use of texts and images found in the mass media – which are also explored in her late paintings – are evident in these early works, too | About Marlene Dumas | Marlene Dumas is considered one of the most significant and influential painters working today. With her work, she gives new content to the meaning that painting can still have today, in an era dominated by visual culture. Her intense, emotionally charged paintings and drawings address existentialist themes and often reference art historical motifs and current political issues. Dumas often finds inspiration in newspaper and magazine images from her immense visual archive. The artist believes that the endless stream of photographic images that bombards us every day influences how we see each other and the world around us. Dumas addresses this onslaught by revealing the psychological, social, and political aspects of these images. Her drawings and paintings have an enormous directness and expressiveness, which the artist couples with a certain analytical distance. Dumas does not shy away from controversial topics. In both her visual work and her writings, Dumas reflects on contemporary painting and what it means to be an artist. Marlene Dumas was born in 1953 in Cape Town, South Africa. She came to the Netherlands in the ‘70s to study at Ateliers ’63 in Haarlem. On completing her study, Dumas settled in Amsterdam, where she still lives and works. In recent years, Dumas has held important exhibitions in the United States (New York, Houston and Los Angeles), South Africa, Germany and Japan, and elsewhere. Her work is represented in the collections of numerous distinguished museums and private collectors throughout the world. Dumas is the recipient of many prestigious art awards, the most recent being the Johannes Vermeer Prize (2012) |
Art direction Sandra Parry and Rudolf Evenhuis | Camera Martin Mulder and Rudolf Evenhuis | Editing Caroline Baan | Special Thanks to Marlene Dumas, Leontine Coelewij, Rixt Hulshoff Pol | YouTube
BIOGRAFIE MARLENE DUMAS
GEBURTSJAHR | 1953 | GEBURTSORT | Kapstadt
AUSBILDUNG MARLENE DUMAS
Studium der visuelle Kunst an der Universität Kapstadt mit dem Abschluss Bachelor of Arts | 1976
Kunststudium im Ateliers ’63 in Haarlem
1979 – 1980 Psychologiestudium an der Universität Amsterdam
AUSZEICHNUNGEN MARLENE DUMAS
2017 Hans Theo Richter-Preis | Dresden
2011 Rolf-Schock-Preis
2007 Kunstpreis der Landeshauptstadt Düsseldorf
1998 Coutts Contemporary Art Foundation Award | mit Stan Douglas und Edward Ruscha
SAMMLUNGEN MARLENE DUMAS
Albertina Wien
Centre Pompidou | Paris
Gemeentemuseum Den Haag
Fondation Beyeler | Basel
The Menil Collection | Houston | Texas
Museum of Contemporary Art | Tokyo
Museum für Moderne Kunst Frankfurt am Main | MMK
Museum of Modern Art | MoMA | New York
Stedelijk Museum | Amsterdam
Tate Modern | London
AUSSTELLUNGEN MARLENE DUMAS
AUSWAHL
2017 National Portrait Gallery | London
2014 – 2015 Marlene Dumas. The Image As Burden | Stedelijk Museum, Amsterdam | Tate Modern London | Fondation Beyeler Basel
2011 Marlene Dumas: Coming and Going | Moderna Museet | Stockholm
2010 – 2011 Tronies. Marlene Dumas und die alten Meister | Haus der Kunst München
2008 Measuring your Own Grave | Museum of Contemporary Art, Los Angeles | The Museum of Modern Art New York | The Menil Collection Houston Texas
2007 Broken White | Museum of Contemporary Art Tokyo | Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) Marugame Japan
2003 Time and Again | Art Institute of Chicago | USA
1996 Marlene Dumas | Tate Gallery London
WERKBESCHREIBUNG MARLENE DUMAS
SCHWERPUNKTE / MEDIEN
Gemälde | Collagen | Zeichnungen | Installationen | Skulpturen
STIL
figurativ
THEMEN/MOTIVE/WERKE
Menschenbilder | Konflikt zwischen Schwarz und Weiß | Marlene Dumas setzt sich stark mit politisch relevanten Themen auseinander
DEFINITION | BESCHREIBUNG | MERKMALE
Werke entstehen auf Basis von fotografischen Vorlagen, die von Marlene Dumas aufgenommen oder in Medien entdeckt werden
STICHWORTE MARLENE DUMAS
ZITATE MARLENE DUMAS
„Malerei soll spürbar sein, sie soll lebendig werden: Mich interessieren die Gefühle der Menschen.“ | Marlene Dumas
TEXT / BIBLIOGRAPHIE MARLENE DUMAS
LINKS MARLENE DUMAS
MARLENE DUMAS
KUNSTWERKE MARLENE DUMAS
Marlene Dumas | Rejects | TateShots | Tate Modern | YouTube | https://www.tate.org.uk/visit/tate-modern | In 1994 Marlene Dumas began „Rejects“, a selection of portraits previously rejected from other series of her work. The artist talks about the works in this episode of TateShots. The collection of anonymous and well-known faces has now evolved into its own stand-alone piece which the artist herself is constantly changing and reconstructing. It is the first artwork visitors will encounter in her exhibition „The Image as Burden“ at Tate Modern.
Marlene Dumas | Great Men | TateShots | Tate Modern | YouTube | https://www.tate.org.uk/visit/tate-modern | In our second film with Marlene Dumas we spotlight her ‘Great Men’ series, a group of portraits made in response to Russia’s anti-gay legislation. Dumas herself has been heavily influenced by gay artists and writers throughout her career. Here she talks about capturing the essence and personality of each subject through a process of drafting and re-drawing. Dumas hopes this iteration of the series, although conservative in its presentation, pulls the audience into each individual portrait’s story.
VIDEO | FILM MARLENE DUMAS
Marlene Dumas | About Her Work and the Show at Fondation Beyeler | Fondation Beyeler | https://www.fondationbeyeler.ch/ | 2015 | YouTube
Marlene Dumas in her studio | DocsOnline | Scene taken from the documentary Miss Interpreted by Rudolf Evenhuis & Joost Verhey. If you’re interested in the full high resolution version, please visit: http://www.docsonline.tv/documentary/26 If unavailable in your territory, or if you are interested in other license requests (feature movie, television, documentary, commercial…), please contact MM Filmproducties: mmprod@nbf.nl Story Born in Cape Town South Africa, Marlene Dumas is one of the best-known contemporary artists in the world. In her paintings, usually life-sized, she depicts human figures that wrestle with emotions. The relation between art and female beauty, art and pornography, female models and models of art, all have been a constant theme for Marlene Dumas. The documentary film ‚Miss Interpreted‘ follows the artist’s activities for a period of six months while she prepares for an exhibition, thus giving us intimate insights into her work and ideas | YouTube
Marlene Dumas | The Image as Burden | ARTube | In this video we see Marlene Dumas preparing for the retrospective exhibition Marlene Dumas – The Image as Burden at Stedelijk Museum Amsterdam. With almost two hundred drawings and paintings from private and museum collections throughout the world, Marlene Dumas – The Image as Burden is the first major solo exhibition of Dumas in the Netherlands in 20 years. It is the most comprehensive retrospective survey of her work in Europe to date and presents a compelling overview of her oeuvre from the late 1970s to the present. In addition to her most important and iconic works, the exhibition also presents lesser-known paintings and drawings, including many works never before seen in the Netherlands, and a selection of her most recent paintings. The title of the exhibition is derived from the work The Image as Burden (1993), which refers to the conflict between the painterly gesture and the illusion of the painted image. The Stedelijk presentation features a number of exclusive highlights, such as a gallery devoted to drawings that have come straight from her studio, which have rarely – if ever – been on public view, and the 100-piece series Models from the collection of the Van Abbemuseum. The survey at the Stedelijk also places greater emphasis on the works produced between 1976 and 1982, when Dumas’s career in Amsterdam began. After many years, the key work in her oeuvre, Love vs Death (1980), which opens the exhibition, is once again on display. Also included are a selection of Dumas’s most recent paintings, such as The Widow and Nuclear Family, both from 2013, and a number of watercolor drawings from the series Great Men (2014), the remainder of which is currently on view at Manifesta in St. Petersburg. The exhibition closely examines the key themes and motifs that Dumas has developed throughout her artistic career. Special attention is devoted to the works on paper that Dumas produced in the early years after her arrival in the Netherlands, when she also exhibited her work for the first time at the Stedelijk Museum and Museum Fodor (1978-81). Themes such as love, death and longing, and the use of texts and images found in the mass media – which are also explored in her late paintings – are evident in these early works, too | About Marlene Dumas | Marlene Dumas is considered one of the most significant and influential painters working today. With her work, she gives new content to the meaning that painting can still have today, in an era dominated by visual culture. Her intense, emotionally charged paintings and drawings address existentialist themes and often reference art historical motifs and current political issues. Dumas often finds inspiration in newspaper and magazine images from her immense visual archive. The artist believes that the endless stream of photographic images that bombards us every day influences how we see each other and the world around us. Dumas addresses this onslaught by revealing the psychological, social, and political aspects of these images. Her drawings and paintings have an enormous directness and expressiveness, which the artist couples with a certain analytical distance. Dumas does not shy away from controversial topics. In both her visual work and her writings, Dumas reflects on contemporary painting and what it means to be an artist. Marlene Dumas was born in 1953 in Cape Town, South Africa. She came to the Netherlands in the ‘70s to study at Ateliers ’63 in Haarlem. On completing her study, Dumas settled in Amsterdam, where she still lives and works. In recent years, Dumas has held important exhibitions in the United States (New York, Houston and Los Angeles), South Africa, Germany and Japan, and elsewhere. Her work is represented in the collections of numerous distinguished museums and private collectors throughout the world. Dumas is the recipient of many prestigious art awards, the most recent being the Johannes Vermeer Prize (2012) |
Art direction Sandra Parry and Rudolf Evenhuis | Camera Martin Mulder and Rudolf Evenhuis | Editing Caroline Baan | Special Thanks to Marlene Dumas, Leontine Coelewij, Rixt Hulshoff Pol | YouTube
BIOGRAFIE MARLENE DUMAS
GEBURTSJAHR | 1953 | GEBURTSORT | Kapstadt
AUSBILDUNG MARLENE DUMAS
Studium der visuelle Kunst an der Universität Kapstadt mit dem Abschluss Bachelor of Arts | 1976
Kunststudium im Ateliers ’63 in Haarlem
1979 – 1980 Psychologiestudium an der Universität Amsterdam
AUSZEICHNUNGEN MARLENE DUMAS
2017 Hans Theo Richter-Preis | Dresden
2011 Rolf-Schock-Preis
2007 Kunstpreis der Landeshauptstadt Düsseldorf
1998 Coutts Contemporary Art Foundation Award | mit Stan Douglas und Edward Ruscha
SAMMLUNGEN MARLENE DUMAS
Albertina Wien
Centre Pompidou | Paris
Gemeentemuseum Den Haag
Fondation Beyeler | Basel
The Menil Collection | Houston | Texas
Museum of Contemporary Art | Tokyo
Museum für Moderne Kunst Frankfurt am Main | MMK
Museum of Modern Art | MoMA | New York
Stedelijk Museum | Amsterdam
Tate Modern | London
AUSSTELLUNGEN MARLENE DUMAS
AUSWAHL
2017 National Portrait Gallery | London
2014 – 2015 Marlene Dumas. The Image As Burden | Stedelijk Museum, Amsterdam | Tate Modern London | Fondation Beyeler Basel
2011 Marlene Dumas: Coming and Going | Moderna Museet | Stockholm
2010 – 2011 Tronies. Marlene Dumas und die alten Meister | Haus der Kunst München
2008 Measuring your Own Grave | Museum of Contemporary Art, Los Angeles | The Museum of Modern Art New York | The Menil Collection Houston Texas
2007 Broken White | Museum of Contemporary Art Tokyo | Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) Marugame Japan
2003 Time and Again | Art Institute of Chicago | USA
1996 Marlene Dumas | Tate Gallery London
WERKBESCHREIBUNG MARLENE DUMAS
SCHWERPUNKTE / MEDIEN
Gemälde | Collagen | Zeichnungen | Installationen | Skulpturen
STIL
figurativ
THEMEN/MOTIVE/WERKE
Menschenbilder | Konflikt zwischen Schwarz und Weiß | Marlene Dumas setzt sich stark mit politisch relevanten Themen auseinander
DEFINITION | BESCHREIBUNG | MERKMALE
Werke entstehen auf Basis von fotografischen Vorlagen, die von Marlene Dumas aufgenommen oder in Medien entdeckt werden
STICHWORTE MARLENE DUMAS
ZITATE MARLENE DUMAS
„Malerei soll spürbar sein, sie soll lebendig werden: Mich interessieren die Gefühle der Menschen.“ | Marlene Dumas
TEXT / BIBLIOGRAPHIE MARLENE DUMAS
LINKS MARLENE DUMAS
