SWG Kunstlexikon
ASGER JORN
KUNSTWERKE
Asger Jorn | artpopulus | Asger Oluf Jorn (March 3, 1914 – May 1, 1973) was a founding member of the Situationist International, and a prolific artist and essayist. He was born in Vejrum, in the northwest corner of Jutland, Denmark and baptized Asger Oluf Jørgensen. In 1946 he changed his name into Asger Oluf Jorn. He traveled again to France where he was a founding member of COBRA (a European avant-garde art movement), and edited monographs of the Bibliotheque Cobra. He returned, impoverished, to Silkeborg in 1951 and resumed work in the ceramics field in 1953. The following year he traveled to Albisola in Italy where he became involved with an offshoot of COBRA, the International Movement For An Imaginist Bauhaus. He met Guy Debord in 1954, who was to became a close friend. The two men collaborated on two artist’s books, Fin de Copenhagen (1957) and Mémoires (1959), along with prints, and forewords to each other’s work. He was a prime mover of the merger of the COBRA with the Lettriste Internationale and London Psychogeographical Association to form the Situationist International (SI) in 1957. Here he applied his scientific and mathematical knowledge drawn from Henri Poincaré and Niels Bohr to develop his situlogical technique. In 1961 he left the SI, largely as a consequence of the fact that he was becoming a well-known artist which did not sit well with the SI, although his own departure was voluntary (which in itself was unusual for the SI, as it was prone to frequent purges and expulsions of members). He went on to found the Scandinavian Institute of Comparative Vandalism and contributed material to the Situationist Times. Later, he donated a museum for modern art to the Danish town of Silkeborg, near where he grew up. He was to remain close to Debord, however, and continued to fund Situationist publications.[2] His philosophical system Triolectics was given a practical manifestation through the development of Three sided football His first American solo exhibition was at the Lefebre Gallery in 1962. After 1966, Jorn continued to produce oil paintings while traveling throughout Europe collecting images with photographer Gerard Francesci for his vast archive of „10,000 Years of Nordic Folk Art.“ He traveled extensively, to Cuba, England, and the far east. Jorn traveled to the United States for the first and only time in 1970, for a gallery opening at Lefebre Gallery. He had earlier asserted that he refused to travel to a country that made visitors sign a statement maintaining that they were not communists. During the course of his artistic career he produced over 2500 paintings, prints, drawings, ceramics, sculptures, artist’s books, collages, décollages, and collaborative tapestries. He died in Aarhus, Denmark on May 1, 1973. He is buried in Grötlingbo, on the island of Gotland in Sweden YouTube
Asger Jorn – Im Flügelschlag der Schwäne 1963
1000 Meisterwerke aus den großen Museen der Welt – YouTube
Zu sehen im Stedelijk Museum Amsterdam
WIKIPEDIA
ASGER JORN
KUNSTWERKE
Asger Jorn | artpopulus | Asger Oluf Jorn (March 3, 1914 – May 1, 1973) was a founding member of the Situationist International, and a prolific artist and essayist. He was born in Vejrum, in the northwest corner of Jutland, Denmark and baptized Asger Oluf Jørgensen. In 1946 he changed his name into Asger Oluf Jorn. He traveled again to France where he was a founding member of COBRA (a European avant-garde art movement), and edited monographs of the Bibliotheque Cobra. He returned, impoverished, to Silkeborg in 1951 and resumed work in the ceramics field in 1953. The following year he traveled to Albisola in Italy where he became involved with an offshoot of COBRA, the International Movement For An Imaginist Bauhaus. He met Guy Debord in 1954, who was to became a close friend. The two men collaborated on two artist’s books, Fin de Copenhagen (1957) and Mémoires (1959), along with prints, and forewords to each other’s work. He was a prime mover of the merger of the COBRA with the Lettriste Internationale and London Psychogeographical Association to form the Situationist International (SI) in 1957. Here he applied his scientific and mathematical knowledge drawn from Henri Poincaré and Niels Bohr to develop his situlogical technique. In 1961 he left the SI, largely as a consequence of the fact that he was becoming a well-known artist which did not sit well with the SI, although his own departure was voluntary (which in itself was unusual for the SI, as it was prone to frequent purges and expulsions of members). He went on to found the Scandinavian Institute of Comparative Vandalism and contributed material to the Situationist Times. Later, he donated a museum for modern art to the Danish town of Silkeborg, near where he grew up. He was to remain close to Debord, however, and continued to fund Situationist publications.[2] His philosophical system Triolectics was given a practical manifestation through the development of Three sided football His first American solo exhibition was at the Lefebre Gallery in 1962. After 1966, Jorn continued to produce oil paintings while traveling throughout Europe collecting images with photographer Gerard Francesci for his vast archive of „10,000 Years of Nordic Folk Art.“ He traveled extensively, to Cuba, England, and the far east. Jorn traveled to the United States for the first and only time in 1970, for a gallery opening at Lefebre Gallery. He had earlier asserted that he refused to travel to a country that made visitors sign a statement maintaining that they were not communists. During the course of his artistic career he produced over 2500 paintings, prints, drawings, ceramics, sculptures, artist’s books, collages, décollages, and collaborative tapestries. He died in Aarhus, Denmark on May 1, 1973. He is buried in Grötlingbo, on the island of Gotland in Sweden YouTube
Asger Jorn – Im Flügelschlag der Schwäne 1963
1000 Meisterwerke aus den großen Museen der Welt – YouTube
Zu sehen im Stedelijk Museum Amsterdam
WIKIPEDIA
ASGER JORN
KUNSTWERKE
Asger Jorn | artpopulus | Asger Oluf Jorn (March 3, 1914 – May 1, 1973) was a founding member of the Situationist International, and a prolific artist and essayist. He was born in Vejrum, in the northwest corner of Jutland, Denmark and baptized Asger Oluf Jørgensen. In 1946 he changed his name into Asger Oluf Jorn. He traveled again to France where he was a founding member of COBRA (a European avant-garde art movement), and edited monographs of the Bibliotheque Cobra. He returned, impoverished, to Silkeborg in 1951 and resumed work in the ceramics field in 1953. The following year he traveled to Albisola in Italy where he became involved with an offshoot of COBRA, the International Movement For An Imaginist Bauhaus. He met Guy Debord in 1954, who was to became a close friend. The two men collaborated on two artist’s books, Fin de Copenhagen (1957) and Mémoires (1959), along with prints, and forewords to each other’s work. He was a prime mover of the merger of the COBRA with the Lettriste Internationale and London Psychogeographical Association to form the Situationist International (SI) in 1957. Here he applied his scientific and mathematical knowledge drawn from Henri Poincaré and Niels Bohr to develop his situlogical technique. In 1961 he left the SI, largely as a consequence of the fact that he was becoming a well-known artist which did not sit well with the SI, although his own departure was voluntary (which in itself was unusual for the SI, as it was prone to frequent purges and expulsions of members). He went on to found the Scandinavian Institute of Comparative Vandalism and contributed material to the Situationist Times. Later, he donated a museum for modern art to the Danish town of Silkeborg, near where he grew up. He was to remain close to Debord, however, and continued to fund Situationist publications.[2] His philosophical system Triolectics was given a practical manifestation through the development of Three sided football His first American solo exhibition was at the Lefebre Gallery in 1962. After 1966, Jorn continued to produce oil paintings while traveling throughout Europe collecting images with photographer Gerard Francesci for his vast archive of „10,000 Years of Nordic Folk Art.“ He traveled extensively, to Cuba, England, and the far east. Jorn traveled to the United States for the first and only time in 1970, for a gallery opening at Lefebre Gallery. He had earlier asserted that he refused to travel to a country that made visitors sign a statement maintaining that they were not communists. During the course of his artistic career he produced over 2500 paintings, prints, drawings, ceramics, sculptures, artist’s books, collages, décollages, and collaborative tapestries. He died in Aarhus, Denmark on May 1, 1973. He is buried in Grötlingbo, on the island of Gotland in Sweden YouTube
Asger Jorn – Im Flügelschlag der Schwäne 1963
1000 Meisterwerke aus den großen Museen der Welt – YouTube
Zu sehen im Stedelijk Museum Amsterdam
